The glass jar becomes a symbol of a world that is clean, controlled, and safe — yet at the same time, suffocatingly confined.

Glass is transparent — it sees the outside world, but cannot touch it. It breathes, but barely. This work speaks to a kind of suffocation that remains unseen: social norms, internal conflicts, fears, and roles that, while offering a sense of safety, also restrict. Suffocation or safety? Where does one end, and the other begin?