My artistic practice explores the relationship between material, light, and perception, using plexiglass as my primary medium. I paint on both single and constructed transparent surfaces, utilizing their three-dimensional qualities to create works that shift as the viewer moves or as the light changes. The artwork is never static—it remains in constant dialogue with space and gaze. 

Color in my work is not applied decoratively but used to convey brightness, intensity, or silence. The forms that appear often carry symbolic meaning and serve as visualizations of inner states—emotions, sensations, memories. The resulting compositions resemble inner landscapes, where emptiness, light, and shadow act not as absence but as active elements of the structure. 

Through my work, I invite the viewer not to remain a passive observer but to become part of the experience—to move, to look inside, and to consider what lies beyond the visible.